Jazzmine Mathieu. Chandelier. December 22nd , 2017.
Location is everything. Chandeliers and pendants have gone mainstream and can be found all over the house. Every room is a blank canvas, just waiting for the right lighting fixture. Gone are the days of a single chandelier over your grandmother’s dining room table. Interest in home décor and design has led to the use of lighting fixtures in unexpected places. Try hanging two pendants hanging together over a breakfast buffet, a flea market style chandelier child’s playroom, mini chandeliers over bedside tables, a sassy chandelier to spice up the bathroom.
White is red hot. White is the little black d ress of interior design. It is the most versatile shade on the color wheel – equally perfect for an urban loft, a cozy cottage, a kid-filled suburban home or a mountain retreat. White looks great with every wall color and can break up heavy dark wood tones, brightening a space with its color, as well as being a light source. All white glass and hand-cut white crystals bring a vintage feel to a chandelier and is easily paired with a modern room design. Beautiful wrought-iron floral in a high-sheen white finish gives a look that is both modern and retro. An all-white palette can define a vintage space or a sleek modern one.
Russian designers Anna Strupinskaya and Alexey Ivashkevich have presented their new product Symphony Lamp Chandelier during Milan Design Week 2014. The concept of the chandelier explores the connection between light and sound waves and their resemblance. For this project, light, color and sound are visualized in three interlaced spatial ribbons.
“The drop itself is constructed of two parts: the brass screw cap, which houses the light, and the hand-blown crystal reflecting the light to create puddles on the floor below. To replicate the nature of raindrops, no two drops are blown identical. The name “The Pour” derives from the distinctive shape that the chandelier forms: an exaggeration of the dramatic motion of water pouring out of a carafe. Designed by forming a grid mimicking how puddles ripple outward in concentric circles, each teardrop is hung to brass pipes of varying lengths. Placed strategically on the grid, the teardrops lock into the mirrored base that fits seamlessly between the two existing columns. The mirrored base reflects the teardrops endlessly into the sky above and when lit. The chandelier echoes rain frozen in time with ephemeral puddles overlaid on the floor below.”